New Raven Stitch Exclusive Prints Coming to San Diego Comic-Con

It feels like forever since I last did an exclusive print, hasn’t it? Well, with my focus shifting more towards Raven Stitch, I thought it would be a cool idea to put together two limited edition prints for the Plush Elements!

As you can see in the promotional image above, I separated the Fire and Water elements from the Earth and Air elements. I thought these two pairings complimented each other fairly well, showing two different kinds of emotional pairings. Their differences either putting them at odds with one another and or building trust together through companionship.

Each print will be limited to 15 and will be hand signed and numbered by me, like all my previous limited edition prints. They will be available at table in Artist Alley (B-22), along with other prints, plush, diplomas and enamel pins. This will mark my first time at Comic-Con not under the banner of another brand. Previously I’ve exhibited either at Small Press as TNP Press, or on the main show floor as Corvink. I’m both nervous and excited to see how this goes. Hopefully I see some of you there.

See all my previous and upcoming appearances on my events page.

Monsters and Dames 2018 - Denis Caron Returns for Another Year

Calling on the Earth Spirit

Calling on the Earth Spirit

Wow, it's been another year already?!? I'm excited, once again, to say that I'm going to be featured in Emerald City Comicon's 2018 Monsters and Dames charity book. It looks like this year the number of books went down from 1000 copies to 750. Crazy. I guess if you want one, don't waste any time! They'll be available at the ECCC merch booth the first day of the con.

This years piece, keeping with the common themes in my work, is centered around another witch. Since I did a water themed piece 2 years ago, I thought it could be cool if I did all the elements! Hopefully I get selected the next few years so we can complete the set! Speaking of which, once the convention is over I'm allowed to sell these pieces as prints. Each year at the convention I've been releasing the prior year's piece as a limited edition print! If you haven't had a chance to get one of those, I still have a few of each of them left. The older they are though, the less of them I have. Start your collection before it's too late! Check them out my previous Monsters and Dames prints at the Corvink store. Last year's will be available at this year's Emerald City Comic Con BOOTH 309 OR online any time after the show.

Anyway, here's to another year at Emerald City Comic Con! Thank you for having me. Hope to see some of you there!

Denis Caron in Monsters & Dames 2017

Traversing Spectral Pasts

Traversing Spectral Pasts

I'm incredibly honored to have been selected for a third year in a row for Emerald City Comicon's 2017 Monsters and Dames charity book for Seattle Children's Hospital! Just like the years before, there are 1,000 copies that will be printed and available at the convention's merch booth (not my own booth, however you can definitely stop by mine [Booth 307] and have me sign a copy if you get one). 

One thing I really like about the concept of this book is that each year I've challenged myself to try new things, different angles, more colors, creative types of creatures and most importantly diversifying the actual women in my art. I see these books as an opportunity for me to empower different types of women each time and want to use it as a platform as best as I can.

For years I pretty much only drew my characters from L.A.W.L.S. (Cadence and Autumn) and Anhedonia Blue (Eydis and Valdis), who without much consideration as to why, ended up being stereotypical white women. With each Monsters & Dames submission so far I've been pushing myself to create stronger female characters that have more diverse influences. For instance, in my 2016 Monsters and Dames piece I chose to draw inspiration from different aspects of African culture. My challenge that year was coming up with a strong black woman, which hopefully accurately and tastefully represented aspects of African beauty without falling into any racial stereotypes. It may be because, as a white male, I've conditioned myself to be sensitive about respecting cultural diversity. So much so that I worry quite a bit about offending anyone or any particular culture. However, I think it's important for all of us, White, Black, Hispanic, Asian, Middle Eastern, etc to celebrate one another through art. In making pieces like this I hope if even in the smallest ways, I can inspire more people to think about others as equals. Which leads me to why I'm particularly excited about this piece.

Post the 2016 Presidential Election, with a rising hateful rhetoric (particularly against our Muslim American brothers and sisters) I felt it was important to show a badass but beautiful, strong Middle Eastern woman. She wears a nazar (evil eye), an eye-shaped amulet believed to protect against the evil (a common symbol in my work), a golden bracelet of the triple moon that represents new beginnings, new life, and rejuvenation, and other meaningful jewelry. The presence of the ghosts that come to life as an extension of her hair have a number of metaphors as well. With the ghosts of our past, and a hope for new life and stronger future, I hope that America can step away from our demons and move forward together; no matter what race, gender, political or economical backgrounds we may have.

All that being said, I hope you guys like this piece as much as I do. You can get it this year in the 2017 edition of the Monsters & Dames book at the convention itself. If you liked last year's submission, I will be selling it as a limited edition metallic printing (only 15) at the con. Like always, if any are left at the end of the show, I will make them available at my online store. Which, if you didn't know there are still a few of the first years Monsters & Dames available now, in my new "Limited Editions" section of my site. 

Art Collab with Shawn Coss of Any Means Necessary

I’m excited to announce this really cool art piece that I did with my friend Shawn Coss of Any Means Necessary (you may know him from his work on Cyanide and Happiness, or his “It’s All in Your Head” Mental Health Collection). This exclusive print will be available at Emerald City Comicon!

Emerald City Comicon Exclusive Print, Art by Shawn Coss and Denis Caron.
Sketch work of Shawn Coss behind Line Art of Denis Caron, progress of collaboration art piece.

Sketch progress

This was a really cool collaboration. It’s the first one I’ve ever done, in this form anyway. Being that I live in California and he’s in Ohio, this gave us an interesting challenge of having to send a very large PSD file back and forth to each other as we made progress. The process was simple at first, with us both sketching our ideas in different colors (me drawing the girl and him the creature, the things we’re both good at). Then each of us taking turns drawing the line art, coloring, texturing, etc. Each time the file getting bigger and bigger. By the end it was a rather massive file. Either way, this was a super fun experience collaborating with him, discussing ideas, and getting to see the process of an artist as talented as he is.

Since it was something special that we made time to do, we decided we wanted to make this a limited printing; we went with a print run of 50. Which is the largest limited edition print I’ve ever done!

Art proof of final print of Shawn Coss and Denis Caron, showing metallic linen texture on paper.

Print proof before final production to test metallic linen paper.

The final printing of this looks fantastic! The above photo is a print proof, that still has the white trim line (the ones for sale do not have that). I can’t wait for everyone to see them. Shawn will be coming by my booth at Emerald City Comicon to sign these, and they will be available at Booth 607! I hope to see some of you there.

Denis Caron and Shawn Coss signing Limited Edition

Edit: Added photo of Shawn and I signing these at the convention. We still have some of these left. If you weren’t able to make it to the con, you can get them on my Etsy Shop.

Denis Caron Selected for Monsters and Dames 2016

I'm super stoked to say that I got into the Monsters & Dames book for a second year in a row at Emerald City Comicon! Like last year, this book will be available in limited quantities (1,000 copies I think?) at the ECCC merch booth at the convention on April 7-10th. Proceeds for this book go to Seattle Children's Hospital, a premier child health care & pediatric center, so it's for a totally awesome cause. 

"Luminous Sea Sorcerous" for Emerald City Comicon's 2016 Monsters & Dames book.

"Luminous Sea Sorcerous" for Emerald City Comicon's 2016 Monsters & Dames book.

I'm particularly excited about this piece because it's one of the first times I've really pushed myself with the use of color. Both because I wanted to explore more color choices in my work, but also in its own way to celebrate diversity. As I'm trying to represent more women of color in my work, which is super important to me, it was pretty exciting to see that the convention wanted to include a piece like this in their book. I won't overly go into the meanings behind this piece, rather I'll let it speak for itself. However, I will say I love that Emerald City Comic curates a book for a children's hospital that not only celebrates women, but gives an opportunity to artists like myself to express ourselves in positive ways like this.

In addition to this year's piece being available in the Monsters & Dames book, last years piece Necrowmancer will be available this year at the con as an exclusive metallic printing at the con. I will only be bringing 25, but if there are any left, I will make the remaining prints available at the Corvink Store!

Monsters & Dames 2015 Art Book!

"Necrowmancer" for Emerald City Comicon's 2015 Monsters & Dames book.

"Necrowmancer" for Emerald City Comicon's 2015 Monsters & Dames book.

I'm excited to announce that my piece was selected for Emerald City Comicon's charity book Monsters and Dames, and will be available this year at ECCC merch booth at the convention itself on March 27-29th. I've considered submitting something for the past 3 years, but this year I finally made the time and had a strong enough concept that I couldn't wait to illustrate this and lend a hand for a good cause such as this. The proceeds for the book go to Seattle Children's Hospital, a premier child health care & pediatric center, recognized as one of the leading hospitals for children. Being that I work with kids and adults with special needs, being a part of this is pretty close to my heart. This, along with many other things, is exactly why I so strongly support Emerald City Comicon.

So what is my piece about? I decided to call this piece "Necrowmancer," a play on words mixing the words necromacer (one who raises the dead) and crow (an animal that symbolizes death and intelligence). Most of my work as of late has had occult themes (witches, magic, cryptic symbolism), so I wanted to make sure that I was able to put a bit of myself into this piece. But, based on the nature of the charity, I didn't want to make it too dark or morbid, so I played more on one of the most common and more important themes in my work; female empowerment. That being said, I also worked to make sure that she wasn't overly sexualized. It's too easy for male artists to fall into that pit of "a dame's got to be well endowed, revealing and posed in a fashion that even a child can see how inappropriately posed she is." I find that men often confuse the idea of women empowerment with strong women showing off "their goods," when what they are doing is actually perpetuating the whole over-sexualization of women. I could go in deeper into this, maybe another time, but for now let's just say this girl's powerful, can fight just as well as any man, and likes to wear cute things while doing it! As for the monster in this piece, it is an embodiment of nature's deceased animals. 

Part of the reason I went for this darker theme (other than me just being into it) is that I like the idea of not hiding from the darkness of the world. We should not fear that which plagues humanity. Illness and death are inevitable, but if we walk along side it, try to understand it and do our best to help those affected by it, we can start to see the beauty in our lives reflected off of that darkness. It's important not to forget to celebrate and experience our lives while we still can. 

Along with my artwork some close friends and other amazing artists will also be featured in this years issue. The book includes artists such as Cody Vrosh, Dane Ault, Daniel Davis, Jeff Schuetze, Skottie Young, Aaron Alexovich, Camilla d'Errico and many more. 

Conception and Production of "Death" Hand Fans

While you wait for your little taste of death arrive in your hands here's a little backstory to the development and production of how I got these things hand fans made!

Making a Thing...

My friend Sarah and I were sitting at my booth last year at Anime Expo, one of the more sweaty convention I've exhibited at (due to extremely hot California sun), when we noticed how many people were fanning themselves with AX Program Guide Books. I'm not sure if Sarah was joking when she said it, but when she suggested I make fans for people to cool themselves, I took her absolutely serious. 

"Death" Hand Fan Design Mock-Up in Adobe Illustrator [ 17.4" x 8.7 ]

It took me months of searching for a company to produce these for me. With the quality that I insist on having to sell anything at my store, this was a little harder than I had ever expected to encounter. With a few minor set backs, botched prototypes and misunderstandings, I did however finally find a great company who was willing to work with my anal retentive artistic eye. 

Since this was all new to me I had to re-explore design concepts. My initial idea was stupid. I was just going to put Death front and center with no consideration of how a fan is held or what it would look like on this medium. I'm glad I came to my senses. After researching what other more artsy fans looked like I came to a conclusion that I should try to make her maximize the space as much as possible, without sacrificing the darkness that having a lot of black ink surrounding her.  Once I was happy with the design, I sent it to my production company and received the most disappointing prototype photo ever.

Learning Experiences

Now here is a great learning experience I really want to share with every one because I could have saved quite a bit of money, time and frustration if I would have understood this better. Never make assumptions that a company you are working with understand your vision. When starting the conversation with this company, I told them I would like to print on Silk and use dyed black bamboo for the base. When I came to them saying exactly what I wanted, they assumed I knew what that entailed as far as printing goes. I did not. Below is a photo of their printing sheet on silk after they ran their printers for production. I was dumbfounded by how off the colors were from what I had sent them above!

Attempt to print on silk with high color density.

When I saw this I asked if they had played with the colors in photoshop or something and only then told me "When printing on silk, the colors need to be soft because silk does not take ink well." Well thanks! This would have been great information to know ahead of time. To add to the frustrations they also had already printed the entire order and were only checking in with me at this point to see if I was happy with the printing. Really? UGH! After a bit of arguing back and forth (only a few emails, thankfully) we worked out a deal for them to fix the issue and print on sturdy paper. I had to repay for setting the printer and a new sample, but everything else was taken care of, they were actually rather accommodating (after I raised some hell with them of course). I wish I could say that this was a fluke, that companies never do stuff like this, but the unfortunate truth about producing things (especially in mass quantities) is that for a lot of companies its cheaper for them to run their printers once and blame it on you if their are mistakes than for them to start their printers a few times to get it perfect. I had similar issues with my book, and have heard from many other artist friends that encountered the same. Suffice it to say, once all the issues were worked out with this company I was extremely happy with the final production. 

Packaging

I really wanted this to be something special, so instead of just printing fans and having them only packaged in the standard little polybags they came with, I looked into getting custom red velvet pouches with my logo on them. With that I also wanted to include a certificate card that I have now hand signed and numbered as proof that anyone who bought one received a limited edition from my first run of fans ever. When preparing packaging I learned 2 things really fast. 1) get quotes for everything you need before you start any sort of production and 2) try to use one company for everything; hand assembling and producing from multiple vendors is like having one of those vomit-migraine you get after drinking too much alcohol and dropping dinosaur acid. Because of how small I needed the cards, the company I use to print told me it was a custom shape and would need to charge me nearly 5x what it ended up costing me to just print standard business cards and cut them in half! Which is what I did. The pouches, much like the hand fans, had a similar issue of production where they screen printed everything before I gave approval. They misconstrued a line in one of my emails and assumed what it was I was green lighting was the entire production, not just my size requirements. Fortunately, in this case, there weren't any major issues and and the bags they produced came out wonderful.

See more production photos on my Flickr. ]

Anyway, that's what it took to produce these amazing little pretties. Hopefully are enjoying my massively long Development Blogs and at least find the information I ramble about useful in your endeavors!

Unconscious Ink Returns!

For a lot of you I’m sure you don’t even know what Unconscious Ink [ui] is or even what sort of significance it had towards the development Corvink. Well, don’t feel bad about that, because I barely understand it myself! Haha. No, really though… Unconscious ink is/was an exploration of my artistic abilities as well as a way for me to free flow ideas that don’t really have a purpose other than the fact that I want to draw something fun and/or challenge myself with new techniques. It was one of the first internet projects I ever did; before L.A.W.L.S. but after Reeder Rabbit. Which was significant because of the time between those two projects I was able to grow a lot artistically; not to mention figure out how to even really get into a more professional flow of how to post on the internet and use social media. 

Recently I’ve had conversations with a few other artists about artistic growth and figuring out your voice amongst the thousands of artists out there in the world. What was interesting to me is that I would keep coming back to my first projects as a refection of where I came. In having these discussions it dawned on me that maybe it would be a good idea to post these online again to give people a reference point of my growth to show people how much I’ve changed artistically, what things I tried and the subtle development of my own voice as a result of this project. So, I spent this last weekend putting filtering through my horribly organized photoshop files and compiled this new series on the site called “Unconscious Ink Inklings” or just “Inklings” on the menubar. 

The current collection dates back to 2007 and runs until 2009 with a few random drawings I did of Pokemon in 2011. I hope to expand upon this project in the next year or so as I feel like I’m in another sort of creative moratorium, in which I know I still want to do and create comics but as Corvink grows, I want to grow artistically as well. I’ve started to develop a few plans for this, but for now, let’s leave it at that, explore some of my strange creations and I’ll catch up with you later with more news soon!